PPMulator+ is a cross-platform plug-in meter for digital audio workstations which exactly mimics the look and feel of a professional broadcast Peak Programme Meter (PPM).
This version adds features such as surround (5.1) capability, user-configurable colours and layouts, a fully-featured phase-correlation meter, surround peak-logging, RTAS-compatibility and several other features.
By adding this plugin to the master output of your audio editing program, you can record, edit, mix and export your audio within a precisely-calibrated workspace - something which is often impossible to do when working in a non-studio environment.
Key Features :
* RTAS, VST and AU plug-in for Windows/OSX, 100% compatible with Pro Tools, Nuendo, Tracktion, Logic & other hosts * Mono/Stereo/Mid-Side/Surround (5.1) metering options, with overload leds * Configurable as a Type I/Type II PPM * Unique Peak Logging feature * user-configurable meter layouts and channel labelling * Mono gain trim to M3 (-3dB) or M6 (-6dB) standards * Assignable phase-correlation meter, to check mono compatibility * Fully-resizable single, dual or multi-meter display, from massive to weeny * Built-in reference tone generator for meter alignment and calibration
Supported metering standards: IEC 268-10 Type I : Nordic N9 IEC 268-10 Type I / DIN 45406 IEC 268-10 Type IIa : BBC scale IEC 268-10 Type IIb : EBU scale
release 2.11.3 ( Oct 07, 2010) ===================================================== - (all) new: Goniometer feature - (all) new: Testtone of 997 Hz available - (win) Plugin loads now in Wavelab 6, Nuendo, SonyVegas9
Dynamix can be used as a supreme compressor or a mastering limiter, you can distort your sound and if you use more instances of Dynamix at the same time, you can use it as an EQ or as a multiband compressor. You can enlarge the stereo space with the stereo button.
There are 3 main sections:
• Input: change the volume of the incoming signal. • Output: change the outgoing volume of the plugin. • Dry/Wet: mixes the processed output with the dry output.
The filter section contains five knobs and a button. With these knobs you can select the harmonics that have to be processed, and you can mix the unprocessed harmonics to the processed ones. There's also a stereo effect, which helps you create stereo sound, without panning it, so you can convert mono signals to stereo ones.
The filter is a 12 db/oct 2 pole filter that can be set to Lowpass, Lowpass-Bandpass, Bandpass, Bandpass-Hipass and Hipass modes.
This part can work as a compressor, an expander, a maximizer or even as a distortion effect.All this can be achieved using only four controls Attack, Release, Maximum Size and To.
1) Run Install_Dynamix_V1_5.exe to install 2) Use KeyGen.exe to generate a key
XPHASER is a dual phaser VST effect plugin for Windows. Two phasers with a different sound can be routed parallel or serial. Easy control, clear GUI, various sounds - that is WOK’s XPHASER. Panorama and volume controls for the two phasers and the original signal offer you deep stereo effects or subtile enhancements. Manual sweeping or syncing to host tempo are available as well as different modulation waveforms.
Your favourite synth (-plugin) has only one oscillator, but you want to have some beat frequencies? Want to make a brass sound more full, fatten up vocals or drums?
dTUNE will do this by adding two detuned voices to your original signal.
Very easy to use: just set the amount of detuning, how much the 2 signals (up and down detuned) should be spread in the stereo panorama, and how much of them should be mixed to the original (stereo) signal.
This is not another chorus plugin. dTUNE doubles the incoming signal, constantly tuning one copy up and one down according to the Amount knob and mixes this to the original signal.
WaveMachine Labs Drumagog Platinum VST RTAS 5.0.2 - AiR
Among the most requested improvements to Drumagog is sample alignment. While Drumagog 4's auto align algorithm did a fair job, samples sometimes suffered from phase issues, especially when blended with the original track. Drumagog 5's new Auto Align 2.0 is the result of years of collaboration between WaveMachine Labs and Fraunhofer (inventors of the MP3 format). This work has resulted in a new sample alignment algorithm. Samples are now phase accurate, even in critical augmentation/blending scenarios. Another significant update is Direct Plugin Hosting. This feature allows Drumagog to host its own VSTi plugins, greatly expanding the sound library options. Instruments like BFD2, Kontakt, and Superior Drummer are simply inserted into Drumagog for a seamless triggering experience. Other features include a completely redesigned GUI, improved sample management and more.
5.0.2 update fixes the following issues:
- Fixed issue with pitch control on stereo samples - Plugin scanning issue fixed. - Fixed delay when switching IR Reverb and Morphs - IR Reverb and Morph Engine input is now post blend control, which allows you to apply IR and morph effects to the original track, as well as the replaced audio.
WaveArts Tube Saturator VST DX RTAS v1.0.2 x86 x64 TEAM AiR | 08.10.2010
Tube Saturator is the world's most accurate real time tube amp plug-in. Unlike other tube simulators, which use radically simplified models, Tube Saturator uses state of the art circuit simulation technology to capture every nuance of an analog circuit. With circuit simulation, the analog schematic completely defines the signal processing. The schematic is converted into a system of non-linear differential equations which is solved at each sampling period, in realtime. That’s mathematical talk for “it sounds exactly like the analog circuit”.
The circuit simulation technology is extremely CPU intensive, and hence we are only able to simulate very simple circuits. Tube Saturator is in fact a basic circuit consisting of a Baxandall type three-band EQ feeding two 12AX7 triode preamp stages. It’s similar to preamp stages you’d find in a guitar amp, but it is by no means a complete guitar amplifier model, that would be way too expensive to simulate even with today’s fast CPUs. However, it is extremely accurate, and hence you can get the same distortion and tonal characteristics that you’d expect from a real tube preamp.
Use Tube Saturator to add a bit of analog warmth to recordings, or increase the drive for some distortion. You can use it as a saturating peak limiter too.
Increasing the Drive control increases the (digital) input gain while decreasing the (digital) output gain, so you can easily adjust distortion levels. The FAT switch changes the bias circuit of the first preamp stage to increase gain.
Features: Accurate tube preamp simulator using 64-bit circuit simulation technology Two common cathode 12AX7 preamp stages Baxandall 3-band EQ Drive control for distortion adjustment EQ bypass FAT mode for increased punch Analog style metering No latency Up to 192 kHz sampling rate, depending on CPU speed. Mono or stereo
SUPPLIER ..: TEAM AiR PROTECTION : ENTER THE MATRIX SIZE ......: 02 * 4,77MB DATE ......: 10/2010
Soniformer is a spectral mastering dynamics processor plug-in for professional music production applications. During its operation, Soniformer splits incoming sound signal into 32 spectral bands. This makes Soniformer a powerful and precise tool for mastering and sound restoration purposes.
Every parameter in Soniformer is defined by means of a graphic envelope which is freely-modifiable and which may contain unlimited number of control points. Beside usual threshold, attack, release and compression/expander ratio parameters Soniformer offers you control over “stereo width” and “panning” parameters making Soniformer an effective tool for stereo field adjustments.
Not only Soniformer offers you an easy-to-use parameter envelope editing interface, it also features a comprehensive set of spectral metering tools: you can switch between input, output, stereo correlation and stereo balance spectrums. The spectral gain change meter which always presents on the user interface gives you an outline of the overall signal power change applied by the plug-in’s processing chain.
Voxengo Elephant is a mastering limiter for professional music production applications. The most remarkable feature of this signal limiter is its sonic transparency. Elephant brings sound limiting and loudness maximization without audible “pumping” sonic artifacts.
Elephant is a highly competitive plug-in for mastering applications: it features a variety of limiter modes that can be deeply customized, and a comprehensive set of level metering tools, including headroom estimation and K-metering. Elephant's built-in linear-phase oversampling is an important element in achieving high-quality peak limiting and loudness maximization.
Elephant limiter can be used for mixing and mastering of both stereo and multi-channel music and sound material, at any standard sample rate. Limiting process can be visualized both as gain reduction meter and real-time graph.
Elephant, also featuring a DC offset filter, and a high-quality bit-depth converter with an optional noise-shaping, allows you to finish your music and audio productions with a spark.