Tone Projects Compadre beatpuncher VST v1.5


Tone Projects Compadre beatpuncher VST v1.5 READ NFO-VIP
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Tone Projects Compadre beatpuncher VST v1.5 READ NFO-VIP






Changes in version 1.5:
NEW: Optional BPM-synced release time.
Fixed Dual/Multi core compatibility problems.
Fixed minor bugs.

Compadre is the result of more than one year of research, development, and countless hours of listening tests. The final product is a quality compressor that not only delivers a highly tuned sonic behaviour, but also drips with character.

Compadre is designed specifically for use on beats, drum loops, and other percussive material, and it does this with attitude and flexibility. Use it for subtle enhancements or heavy duty compression. While Compadre has been designed with drums in mind, its range of flexibility allows it to also deliver good and often unique performances on many other types of tracks; such as for example bass tracks.

Unique Sound
Compadre is a compressor with an attitude and a truly unique sound. We like to describe Compadre's sound as aggressive, with a tight & punchy attack and an airy release capable of very musical pumping.
It's a sound that suits drums - and also bass - very well, which makes it easy to achieve great results with a minimum of tweaking.

Unique Features
Compadre offers features you will not find on other compressors whether software or hardware.
The "Shaper" mode offers a more experimental mode of compression allowing inspiring effects ranging from transient shaping to wild and funky gated-sounding compression. Other unique features are host tempo-sync perfect for rhythmic compression, wet/dry mix for parallel compression and low-level controls to tweak the compressor response.

True Stereo Sidechaining
Compadre gives you full control over the sidechain with both external input and sidechain filtering. Using an external input to trigger the compression is what's often referred to as sidechain compression and is used extensively in modern electronic productions. Sidechain filtering allows you filter just the sidechain - and not the outgoing audio path - which can be used to make the compression more or less sensitive to certain frequencies.

NOTE;
This version does not load presets from previous versions. It is
recommended to keep the previous version on your system while making
the transition.



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Thelotron Technologies - Beatmodel T1 Plugin-Pack v1.0 VST


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Thelotron Technologies - Beatmodel T1 Plugin-Pack v1.0 VST - PC

The BeatModel T1 Plug-in Pack is ideal for people who want plugins that really modifies
the signal, with intuitive user interfaces and are inspiring to work with. Especially for
people involved in electronic music, sound design and synth style processin

Contents of the BeatModel T1 Plug-in Pack - 14 DirectX plug-ins

Amplee - Amplifier Simulator.
ResoBeat - Resonant Filtering.
RingBeat - Ring Modulator.
Stereo Delay - Stereo Delay.
OptiVerb - Studio Reverb.
Comp 860xd - Studio Compressor and Limiter.
OptiEQ - 7-Band Parametric Equalizer.
VStereo - 2D Stereo Virtualizer and Widener.
Chorus - Four Voice Stereo Chorus.
Flanger - Stereo Flanger.
Phaser - Twelve Stage Phaser.
AutoPan - Auto Panner.
NoiseGate - Noise Gate.
Comp-S - Fast Compressor.


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BeatModel Amplee [Amplifier Simulator]

From mellow blues to heavy metal. The Amplee can really make a difference. The versatility
of the structure makes it possible to design your own amps. It is not limited to guitar
processing, it can be used on almost anything from vocals to whole mixes.



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BeatModel ResoBeat [Resonant Filtering]

The ResoBeat works like an analog resonant synth filter with distortion and a delay.The frequency and resonance can
be controlled by the envelope, an LFO and a joystick, simultaneously, which adds to the number of possible uses. It
can be used in many different ways, for example to simulate autowah, lowpass sweeps or techno style synth filtering.



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BeatModel RingBeat [Ring Modulator]

A radical ring modulator. The modulation can be controlled by envelope, LFO and joystick. The possibility to mixing
the carrier with the ring modulation makes it possible to create a lot of ethereal strange atmospheric sounds.



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BeatModel Stereo Delay [Stereo Delay]

The delay time of each channel can be adjusted, and scaled by measures. In each channel
there are also controls forinitial delay offset, regeneration and crossfeed. The two parametric
equalizer modules in the feedback loop and the possibility to filter the dry signal, gives you
tonal control of the direct and delayed sound. The feedback can be saturated.



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BeatModel OptiVerb [Studio Reverb]

A tool for room modelling. A reverb width early reflections and dense late reflections. A two band parametric
equalizer and a filter direct button can be used to adjust the reverb, or to create more synthetic sounds.


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BeatModel Comp 860xd [Studio Compressor and Limiter]

Analog style compressor with a limiter. Driven softly it operates smoothly in the
background. Driven hard it really adds character to the material. The limiter
on the output makes it possible to keep the signal really high without clipping.



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BeatModel OptiEQ [7-Band Parametric Equalizer]

A 7-band parametric equalizer. In each band you can choose between 6 different filter types with adjustable
gain, frequency and Q. The OptiEQ has a big spectrum window that accurately shows the frequency response.



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BeatModel VStereo 2D [Stereo Virtualizer and Widener]

Stereo widener with both virtual stereo and stereo widening, and you can invert the phase of each channel.



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BeatModel Flanger [Stereo Flanger]

A clean sounding stereo flanger with feedback and stereo phase control.
It can be modulated by sinus, triangle, exponential and random LFO.



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BeatModel Chorus [Stereo Chorus]

This chorus uses up to four stereo voices with adjustable stereo phase and group phase to achieve
variation in the chorus sounds. It can be modulated by sinus, triangle, exponential and random LFO.


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BeatModel AutoPan [Auto Panner]

The AutoPan pans the sound between the speakers at a specified rate. It can be modulated by sinus,
triangle, square and exponential LFO. The phase control makes it possible to use for tremolo
and can with a square signal really chop up the sound, in sync with the tapped in tempo.



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BeatModel Phaser [Stereo Phaser]

A phaser width up to twelve stages. feedback, crossfeed and variable number of stages. A Phaser is
commonly used to add vibrato to for example organs or guitars, or as a slow sweeping stereo effect.



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BeatModel NoiseGate [Noise Gate]

A noise gate with controls for open and close threshold, minimum sound level, attack, release, hold an gain.
It can be used on vocal or guitar tracks to remove unwanted noise between notes, or to modify drum loops.


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BeatModel Comp-S [Fast Compressor]

This plug-in is a good sounding simple compressor that uses very little processing power,
which makes it possible to use on several tracks at the same time without loading the
processor to much. It has controls for threshold, ratio, attack, release and gain.



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Terry West Productions Relife VST v1.3 - PC


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Terry West Productions Relife VST v1.3 - TEAM peace-out - PC

Bring back life to a heavy clipped audiofile.

- Due to the loudness war most songs released today are clipped to the extreme.
- ReLife can bring back the "valley's and peaks" to give more air to a song.
- A very important stage when your song are send for broadcasting.
- This prevents the radiostation hardware to limit it even more, but without sacrafice your initial rms level!

- Note: don't expect miracles, when there's distortion, it will remain also afterwards.

Revolutionary way to recover transients and warmth.

• Bypass button.
• Postgain.
• Pre Cleaning stage.
• In, recover and out meters.
• Stereo & mono versions.
• Realtime processing or offline.

Latest updates 1.3:

Postgain tweaked, recover added, 70% less code, PreCleaner added



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TeamDNR MixControl VST VST3 v1.0r6 x86 - PC


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TeamDNR MixControl VST VST3 v1.0r6 x86 - PC

MixControl is a flexible channel-strip package consisting of two high quality mixing plug-ins:
MixControl Large is intended as an all-in-one solution for more complex mixing needs, while
MixControl Small has a reduced feature set and smaller interface for more general mixing tasks.

MixControl Large Features:

• 2 Compressor Modes (transparent/colored).
• 3 level detection modes for gate/comp modules.
• Ultra-responsive gate.
• Internal gate/comp sidechain modules with various filters.
• Input/Output FFT view with peak hold viewable on EQ display.
• 6 band precision EQ utilizing filter curve measurement.

• 13 EQ filter types:

• Low Cut 12dB/24dB/36dB/48dB
• High Cut 12dB/24dB/36dB/48dB
• Low Shelf
• High Shelf
• Bell (Peak)
• Band Pass
• Band Stop

• Brickwall limiter with release control.
• 3 band stereo enhancer with auto makeup and band solo.
• Dynamics->EQ or EQ->Dynamics processing.
• Dynamics metering (envelope follower/peak).
• Sub-preset loading and saving.
• Background skinning.
• 19,200 sample adjustable delay.
• Phase Invert switch.
• Input/Output gain control.
• 64-bit internal processing.
• Extremely low CPU usage.

INSTALLATION

1. Uninstall previous versions.
2. Unrar and install.
3. Enjoy !



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TC Electronic M40 Studio Reverb v1.0.6 VST - PC


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TC Electronic M40 Studio Reverb v1.0.6 VST

M40 Studio ReverbHall, Room and Plate

M40 Studio Reverb features three main reverb algorithms.
The Hall algorithm emulates a large hall with a broad and warm reverb.

Room emulates a small and well-furnished room with an intimate ambience and
going back in time the Plate reverb algorithm emulates the large metallic plates
which were used to create reverbs before digital signal processing was commonplace.

Part of monitor signal path

It is available for tracking to increase the recording comfort without tying the effect to the final
take, operated by the control panel and the reverb knob on the top panel of Desktop Konnekt

VST and Audio Units

Beside being part of the monitor mix, the M40 Studio Reverbis also available as a natively
running VST/AU plug-in, allowing you to use it as part of your recording session in your PC.

M40 Studio Reverb features

• Hall
The Hall algorithm emulates a large hall with a broad and warm reverb.

• Room
Room emulates a small and well-furnished room with an intimate ambience.

• Plate
Going back in time the Plate reverb algorithm emulates the large metallic plates
which were used to create reverbs before digital signal processing was commonplace.

• Pre Delay
Whether you work with vocals or instruments, the M30 Studio Reverb will add a broad and
warm reverb to your sound. Use the pre delay to separate the source from the reverb tail.

• Decay
M30 preserves the natural characteristics of the original source, which gives you an incomparable
and authentic large sound. Use the decay parameter to adjust the length of the reverb diffuse field.

• Hi Color
The sound of M30 is perfectly suited to vocals, but it can also be used with a wide variety of
instruments and audio material. Hi Color varies the “color” of the reverb. From dark to crisp
and bright, the Color parameter can really change the characteristics and style of the reverb.

• Mix
The Mix parameter obviously sets the wet/dry mix. Use the
convenient 100% knob when working with the reverb as parallel effect.

INSTALLATION

1. Uninstall previous versions.
2. Unrar and install.
3. Enjoy !

RELEASE: 09.02.2010



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